Performance Practice (Music)

El Albaicín – Carles Trepat (Nuevos Medios 158.40 CD. 2007) [Recording review]

Music / Musicology / Romanticism / Performance Studies / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Spanish Music / Critical Musicology / Early 20th-century Music / Performance Practice (Music) / Music Performance / Debussy / Musica / Música / 19th Century Music / Performance Musical / Guitare / Iberia by Isaac Albeniz / Romanticismo / Claude Debussy / 20th and 21st-Century Music / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Sarasate / Carles Trepat (guitar) / Pablo Sarasate (1844-1908) / Isaac Albeniz (1860-1909) / Claude Debussy (1862-1918) / Enrique Granados (1867-1916) / Classical Guitar / Performance Studies (Music) / Guitar / Spanish Music / Critical Musicology / Early 20th-century Music / Performance Practice (Music) / Music Performance / Debussy / Musica / Música / 19th Century Music / Performance Musical / Guitare / Iberia by Isaac Albeniz / Romanticismo / Claude Debussy / 20th and 21st-Century Music / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Sarasate / Carles Trepat (guitar) / Pablo Sarasate (1844-1908) / Isaac Albeniz (1860-1909) / Claude Debussy (1862-1918) / Enrique Granados (1867-1916)

EL «DUELO» ENTRE JOAQUÍN NIN Y WANDA LANDOWSKA: ¿EL VIEJO CLAVE O EL PIANO MODERNO? (Revista de Musicología XXXIX, 1, 2016, pp. 211-234).

Performance Practice (Music) / Identidad cultural / Música Antigua / Musicología histórica / Musica Historicamente Informada

Programa XIX Festival de Música Antigua Úbeda y Baeza (2015) [Músicas cultas, músicas populares]

Early Music / Music History / Festivals and music / Popular Music / Baroque Music / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Hispanic Studies / Early music and historically informed performance practice / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Hispanic Studies / Early music and historically informed performance practice

Musicología y recuperación de la práctica musical histórica. Una reflexión heterodoxa

Musicology / Performance Practice (Music) / Musical Heritage / Historicaly informed performance

Programa XX Festival de Música Antigua Úbeda y Baeza (2016) [Las edades de la música]

Early Music / Music History / Festivals and music / Spanish Studies / Baroque Music / Medieval Music / Latin American Music / Renaissance music / Performance Practice / Spanish Music / History of music / Performance Practice (Music) / Classical Music / Periodization / Festivals / Cultural History of Music / Latin American Colonial Music / Music festivals / Early music and historically informed performance practice / Music Programming / Medieval Music / Latin American Music / Renaissance music / Performance Practice / Spanish Music / History of music / Performance Practice (Music) / Classical Music / Periodization / Festivals / Cultural History of Music / Latin American Colonial Music / Music festivals / Early music and historically informed performance practice / Music Programming

Las edades de la música / 20º Festival de Música Antigua de Úbeda y Baeza

Latin American Studies / Early Music / Music History / Performing Arts / Festivals and music / Performance Studies / Baroque Music / Medieval Music / Latin American Music / Renaissance music / Spanish Music / History of music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Cultural History of Music / Latin American Colonial Music / Music festivals / Galant Music / Villancicos / Early music and historically informed performance practice / Music and Performing Arts / Music Management / Performance Studies / Baroque Music / Medieval Music / Latin American Music / Renaissance music / Spanish Music / History of music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Cultural History of Music / Latin American Colonial Music / Music festivals / Galant Music / Villancicos / Early music and historically informed performance practice / Music and Performing Arts / Music Management

MARCEL DUCHAMP Y LA PERFORMANCE PRACTICE DE LA CANCIÓN ARTÍSTICA LATINOAMERICANA

Latin American Studies / Musicology / Cultural Musicology / Art Song / Performance Practice (Music) / Latin American Art Song
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